Yayoi Kusama started to paint using polka dots and nets as motifs at around age ten, and created fantastic paintings in watercolours, pastels and oils. Kusama went to the United States in 1957 where she showed large paintings, soft sculptures, and environmental sculptures using mirrors and electric lights. In the latter 1960s, she staged many happenings such as body painting festivals, fashion shows and anti-war demonstrations and launched media-related activities such as film production and newspaper publication. In 1968, the film “Kusama’s Self-Obliteration” which Kusama produced and starred in won a prize at the Fourth International Experimental Film Competition in Belgium and the Second Maryland Film Festival and the second prize at the Ann Arbor Film Festival. She returned to Japan in 1973. While continuing to produce and show art works, Kusama issued a number of novels and anthologies. In 1983, the novel “The Hustlers Grotto of Christopher Street” won the Tenth Literary Award for New Writers from the monthly magazine Yasei Jidai. In 1986, she held solo exhibitions at the Musée Municipal, Dole and the Musée des Beaux-Arts de Calais, France, in 1989, she held another solo exhibitions at the Center for International Contemporary Arts, New York and the Museum of Modern Art, Oxford, England. In 1993, she participated in the 45th Venice Biennale. She began to create open-air sculptures in 1994 and produced open-air pieces for the Fukuoka Kenko Center, the Fukuoka Municipal Museum of Art, the Bunka-mura on Benesse Island of Naoshima, Kirishima Open-Air Museum and Matsumoto City Museum of Art, , in front of Matsudai Station, Niigata,TGV's Lille-Europe Station in France, Beverly Gardens Park, Beverly hills, Pyeonghwa Park, Anyang and a mural for the hallway at subway station in Lisbon. Kusama began to show works mainly at galleries in New York in 1996. A solo show held in New York in the same year won the Best Gallery Show in 1995/96 and the Best Gallery Show in 1996/97 from the International Association of Art Critics in 1996. From 1998 to 1999, a major retrospective of Kusama’s works which opened at the Los Angeles County Museum of Art. It traveled to the Museum of Modern Art, New York, the Walker Art Center and the Museum of Contemporary Art, Tokyo. In 2000, Kusama won The Education Minister’s Art Encouragement Prize and Foreign-Minister’s Commendations. Her solo exhibition that started at Le Consortium in France in the same year traveled to Maison de la culture du Japon, Paris, KUNSTHALLEN BRANDTS ÆDEFABRIK, Denmark, Les Abattoirs, Toulouse, KUNSTHALLE Wien, Art Sonje Center, Seoul. She received the Asahi Prize in 2001, the Medal with Dark Navy Blue Ribbon in 2002, the French Ordre des Arts et des Lettres (Officier), and the Nagano Governor Prize (for the contribution in encouragement of art and culture) in 2003. In 2004, Her solo exhibition “KUSAMATRIX” started at Mori Museum in Tokyo. This exhibition drew visitors totaling 520,000 people. In the same year, another solo exhibition started at The National Museum of Modern Art, Tokyo. In 2005, it traveled to The National Museum of Modern Art, Kyoto, Hiroshima City Museum of Contemporary Art, Contemporary Art Museum, Kumamoto, Matsumoto City Museum of Art.