In the mid-1970s, Robert Motherwell employed a favourite medium, the found object collage, and adapted it into very tall vertical compositions. Their success lies in the combination of bold gesture and small detail. In Dublin Collage —the title refers to the Irish origin noted on the soap box and the artist's appreciation for James Joyce's work—the commercial packaging is enveloped by the swaths of pigment around it. The effect both emphasizes the dramatic gesture of modern expression and also conveys appreciation for the old-fashioned appeal of the soap boxʼs design.
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